the analogue cops present a fine 4 track ep for hypeltd, *in plain clothes* ep is raw, distorted and heavy, just the way we like it. the italian team have already caught our ears with releases on bass culture, bleep and their own restoration records, and collaborations with the likes of blawan, ryan elliot and alex picone.

felix dickinson and jamie reads revitalized l.h.a.s. inc project return to the formers cynic label with losing my innocence. in original form, l.h.a.s. inc present a blue eyed slo mo acid side to their collective palette that demonstrates some notable diversity and a capacity for song writing. complementing this is a dub from dickinson in his foolish felix guise and two self styled swamp outs from south londons finest cage & aviar

here lies the final chapter in the first testament of shocks, and as with the previous three releases, were granted no mercy. a-side tracks trajl and contagious are a full fledged assaults on the psyche, taunting with just enough melody to convince us of musicality, but never really rising from of the swamp theyre stewed in.the b side closer klamata could be seen as a comedown, but after a short while you realize that youve been led only deeper, left in a state of total disarray.

reissue of this 1983 talking heads classic platinum album on heavyweight 180 gram vinyl.

exploitation is the new film by dutch independent filmmaker edwin brienen. enfant terrible produced the soundtrack for this gothic-noir satiric fresco. 90 minutes of music to be enjoyed both as true soundtrack as well as a sequel to previous enfant terrible compilations... but more dramatic and ritualistic in the way the record is building up. it will please fans of minimal electronics and (post) industrial music but also moves into different styles such as idm, tekno, angst pop and chanson, while always keeping a dark and cold mood and/or dream state feeling throughout... limited edition of 250 copies!

third sides infamous *shit on me*, taken from their first full-length release, *unified fields* is given a four-pronged remix ante up by some of technos more illustrious figures. virginia is back on duty with a fierce and hypnotic twist of jagged percussion and echoing sample blends, transforming the original into an obscure and minimalistic techno voyage, whereas morphosis injects his peerless swamp of sonic oddity under his ra.h moniker – reducing the original into a truly experimental six minutes of chilling effects, echoing percussion and irregular drum bursts…a true hardware show. on the flipside, marco shuttle tears up the beat into a twisting, bass-morphing machine stomp, replacing the originals drums and hi-hats with a mesmerizing cascade of sharp vocals and flickering note-repeats. finally, the elusive techno excursionists, xenogears give the original an ominous industrial edge, where harsh drum machine distortions meet long, dreary pads and cavernous vocal shots of the finest analogue calibre. techno restoration is back with a vengeance.

easily recognizable by his impassioned johnny cash-meets-charlie feathers vocals, the french-born don cavalli began to get any notice in the greater music and blog community when he released his full-length *cryland* (2007), which featured his amalgamation of swamp blues, lo-fi pop, country gospel, and early rock & roll. in 2013, don cavalli will release his new studio album *temperamental*, staying on blues track while dismantling the traditional codes of the field. indeed, thanks to an old fashioned sound take and a contemporary production, don cavalli makes his new album sound old but incredibly modern. and if *temperamental* goes through many kinds of sounds, in the end it always goes straight to the point: a unique cajun blues from the bayou serving a soul and sophisticated voice. a must-have!
cd-copy of the full album included.

limited copies pressed on transparent green 12 inch vinyl housed in a hand-stamped inner sleeve.
the return of goldffinch on saigon recordings with remixes of two tracks from their 2 part ep series from last year. first up is a rework of *funky steppa* arguably the belgian duos biggest tune to date on a club level with huge dj support from the likes of boddika, jackmaster, oneman and more – stepping up on the remix duties is none other than resident swamp 81 producer trusta with a psychedelic monster of a relick. on the flip policy fresh from his superb album on rush house attacks *outer twigs* to sublime effect, taking the original framework and truly making the track his own, it is a journey you wont want to come back from.

anders trentemøller presents dorit chrysler and avalanche, a haunting, evocative ep on his in my room imprint! the two first met when anders asked dorit for her theremin play on his recent album into the great wide yonder.

fully battle-tested after a tour of duty as tigas top-secret dj weapon, consciousness fuses the energy and vitality of clouds early stadium friendly output with the ideas,craft and skill of techno veterans.

the special edition lp on double 180 gram vinyl in gatefold cover. .

calling on a roster of talent that includes the much vaunted luminaries tyree cooper, rick wade and his namesake wilhite, scott grooves, terrence parker and more you know that the vibes & pepper agency expanding operations to include a label means the standard of music will be high. number three in the fledgling wax initiative arrives with the man, the myth, the maverick that is norm talley at the helm for the three track bumper the westside project. talley fans will be all over this one for the chance to grab b side hugger >grove street shuffle< a track that originally featured on the producers uber rare 1997 release for city boy, and the two tracks that complement it find the beatdown brother in fine form. lead track >do what you like< deftly weaves in some expert voodoo ray sampleage amidst a permanently punchy groove whilst >greenfield groove< has talley in looser rhythmic mood, with busy percussion driving through a thick swamp of vocal pressure and ever twisting piano riffs

hollands fah aka robin de bekker enters the scene with this heavy, braindance inspired five tracker. opener fine space is spooky and upbeat with false melodies fighting the tracks ground level acid bubbles.bonus orbits starts off as a fast electronic harpsichord cut for a smart dance floor before turning into a hectic swamp of challenging harmonies.sixears is a shorter track holding the middle ground between a moody elecktroids tune and hectic, vibert-like acid. the eps title track and centerpiece then, is characterized by rewinds, whistles, haunting melodies and a total lack of repetition, its a 9 minute long excursion into the most unreal part of bekkers mind. fah finally says goodbye with an eerie cut that sounds like a humming predator with no food to eat. fahs first one for 030303 comes with appropriate, occultist artwork.

nice price deal !!! big tip for fans of swamp 81 and classic ur! limited to 300 copies

atlanta producer distal teams up with vancouvers hxdb for >booyant<, an absolutely killer collaboration that fuses the best elements of both producers in fine style. taking a 136bpm tempo and bridging dubstep with a cutting edge bass-heavy house vibe, the duo pull together an intimate dancefloor bubbler that fans of night slugs and swamp 81 will most likely feel quite at home with. awash with lush synths and gurgling sound bytes, >booyant< is a quality track to tickle many a fancy. flip to side aa for distals solo effort >amphibian<, an excellent piece of 140bpm machine music, whirring and clicking in a roughly similar vein to instra:mentals >rift zone<. experimental dubstep pressure for the open minded, guaranteed future-proof. distal will release his debut album >civilization< on tectonic later in the spring of 2012.

the inaugural release on prism comes courtesy of jon phonics, fresh off the back of his debut appearance on vinyl with the essential >bruck out/the one< 7 inch on chakra sounds.
never one to rest on his laurels, jon now presents the >grid games< ep. this instrumental, progressive project is a nod to his more leftfield influences forging elements of electronica, 2 step and bass music.
the vinyl features collaborations with s-type (luckyme), jeeks (civil music), pete cannon and bug alongiside remixes from kidkanevil, ghost mutt and pedestrian.

super limited edition, 300 copies pressed on burnt orange vinyl, black bags and black labels by breed media, liquid white hand stamped complete with a black crows mountainside feather and fairytale insert - sacred text of mountain fairies chapter iv.... compelling!

like a slimer rising forth from the swamp neil landstrumm returns to germany once more with fresh new meat for the bbq. echoing his recent uk bass tracks on planet mu, landstrumm brings new styles and flavours to his favourite foreign country on the slidebar label. the music speaks for itself and your unlikely to hear anything else like this record the week of release, be brave, try something different. don t be a sheep sheep and yes you can mix it with other records. it just doesnt sound the same as all the other ones. you dont have to be into dubstep and grime to like these beats. its techno stupid.you get me featuring the mighty ben hudson aka rylen as the slimer they both spent a week eating crisps and grilled bacon to get this salty

not much to say – abstract forms returns with some straight up killer electro from gosub, limited to 250 copies, vinyl only.

in the south of panama lies the darien gap, a vast unpenatrable jungle swamp that divides central and south america. it is so hostile that even the pan american highway stops there in what would otherwise be a non-stop highway stretching from alaska to argentina. many explorers never returned and it is believed that the 10.000 square mile piece of green hell is home to secret guerilla bases, drug labs and many mysterious & dangerous animals.

damian and clement of dop fame return to circus company with a new project of dubbed out late night madness featuring vocalist brian brewster. far more sinister then dops recent output, 7 days features 4 tracks which explore am acidic realm of dark ruminations and swamp dredged rhythms. >introduction< aquarius starts things off with a basic channel-esque wash of chords, noise and spoken word sure to appeal to fans of berlins longstanding dub techno tradition. >so low< comes off like a chopped and screwed take on italo heard only through the mixers effect sends, where modulating analog sequences and a thundering motorik back beat desperately swim to the surface of a blackened ocean gasping for air. >before u go< lightens the proceedings ever so slightly, upping the tempo and allowing the undulating synths lines to sparkle in the periphery, while the incessant vocal encourages all self-respecting punters to stay on the floor until the last track has passed ! its final groove. finally >universe< comes off like a lost out take from kool keiths dr octagon project with its classic jacking electro beat and sultry effected vocals.

>now about how< is an album that fuses diverse styles, tipping its cap to a world of sounds absorbed over the course of a lifetime. it is the sound of fudges childhood spent learning from his record loving family about the many wonders of 20th century recorded music, filtered through the classic house and techno template which was the soundtrack to his formative years. fudge fingas is a man very much immersed in his music. as well as producing he manages edinburghs best dance music record shop >underground solu shn< whilst also lending his musicianship to tracks by other artists on prime numbers such as linkwood & trus me.

nonplus+ label owners instra:mental have been working away on solo projects in 2011 with al bleek working under his boddika alias and kid drama as jon convex. here we have boddikas first output on nonplus+ after his debut on naked lunch in 2010 and prior to his forthcoming ep on swamp 81. his work has been supported by djs across the board such as benji b, oneman, scuba, shy fx, martyn, ramadanman, joy orbison, leofah, skream and zed bias amongst many others.

limited edition re-press on super heavy weight vinyl with brand new sleeve notes

>down there< is a world of nine new songs from animal collectives avey tare. his first official solo full length carries you through a murky world of sound, an alien death world of soul grooves that is both honest and otherworldly. wait for sundown and turn it up loud. take a ride on this haunted boat and let yourself be guided through deep sloshy rhythms, waterlogged bass, and moonlit breaks in the canopy that reveal a crisp crystalline pop buzz. >down there< was recorded in the month of june by old friend josh dibb (deakin) at the good house, an old church in upstate new york, surrounded by the great swamp and visited regularly by monks, white widows, and groan toads.
code for free digital download included.

suckafish p. jones, the self-proclaimed ringmaster of voodoo electronics, returns to evil up your soundsystem with his second ep for disboot records, >mr midnight<. released on 12 inch vinyl for disboot records, suckafish summons up four tracks of jagged robot funk from the depths of the swamp. perverting the tropes and conventions of uk garage, grime and hip hop, ?mr midnight? combines pulsing low end rhythms with possessive melodies to create a soundtrack to that full moon night that never ends. sleazy, emotional, violent and ecstatic at the same time, suckafishs latest offering maintains his reputation for productions that ignite the dance with raw, infectious energy and humour.

dark and cinematic electro, made by microthol for austrian pomelo label in 2004.

clausells excellent, in demand percussive house pieces that were only available as a 5x12inch box, available now as single 12inch releases!

joe clausell has long been one of new york city’s busiest dance figures, thanks to his work in all areas of the house community: as a highly respected dj, producer, remixer, and label-head. after a decade long break from releasing a full length, here’s ‘un.chained rhythums part 1’ with a mix of worldmusic and afro/latin inspired club tracks

brand new outing by anthony mansfield on nick chaconas fine hector works label!

dj support from skream, laurent garnier, si begg, mysterious mr o (detroit grand pubahs), nerm, otto von schirach, and many more!
take electro bass noise, gore grind, idm glitch, calliope, breakcore gabber jungle, gangsta rap, mix them all together and what you get? otto von schirach . for æbass lowÆ the oddball shreds hip-hop ( i always felt that hip-hop beats need shark-bite rhythms or chain-sawsounds ), corrupts miami bass and perverts techno, saturating his hard drive with sonic detritus . otto von schirach (half cuban / half german) was born in 1978 in the swamp infested refugee world of little havana miami.

anorak 002 from the mysterious fat camp collective heads to the deep south for feeling and rock your georgie, both of which have a gator swamp feel to them with a slight twist of jambalaya, crawfish pie and fillet gumbo. yum! they are aided in their culinary mission by penthouse disco, whose nipples are rather daringly on display in a wanton admission of fallen virtue.

after his album with black strobe released in 2007, arnaud rebotini comes back with a new ep and a 100 percent electronic live. arnaud hopes for entering in a new approach in which live is the beginning of the project&#146,s conception. the idea is to build a dancefloor set without using laptop or external sequencer but around emblematic machines (tr 909, tr 808, sh 101, juno 60, korg monopoly). this producer wants to let us share his studio experience in live. &#147,music components&#148, is an album of romantic and timeless techno where rebotini goes back to hot and groovy sounds of his first productions

philly gypsy-swamp-rock-carny -soul-viking-vaudeville -punk collective. this record matches the fierce energy of their non-stop live show

for his new album, heretic pride, darnielle has once more retreated into his imagination to conjure a suite of songs about mythical creatures, imaginary cults, slasher films and pulp fiction novelists. hes also come up with some of the most anthemic,impassioned and downright catchy songs of his career: sax rohmer, autoclave and lovecraft in brooklyn join a long line of glorious mountain goats shouters, they ll doubtless have audiences raising the roof at venues around the world in the coming months.

caulfield geht unbeirrbar seinen weg und schenkt der welt 4 sympathische minimaldeephouse-perlen

die neue -house lessons- ausgabe kommt von tech-house-pionier russ yallop, der bislang mit dancefloor-granaten auf hot creations, no 19 und crosstown rebels fŸr aufsehen sorgte. yallop macht diese mix-cd zu seinem debŸtalbum, indem er nur eigenes, zumeist unveršffentlichtes material verwendet, das er oftmals in kollabos mit namhaften kollegen produzierte, darunter jamie jones, art department, mihalis safras und house-veteran kenny glasgow.

james nice label von ltm recordings hat sich hier auf wiederveršffentlichungen einiger stŸcke von factory artists wie zb.lawie the durutti column und a certain ratio konzentriert. mit dabei das offen gestimmte instrumental ãmadeleineÒ von durutti column.von a certain ratio, einer der factory-bands schlechthin, gibt es das white-funk-zu-breakdance-zeiten-stŸck ãwild partyÒ sowie einen sich Ÿber fast zehn minuten erstreckenden mix von ãknife slits waterÒ

ten is the magic number with berlin imprint fumakilla! 2010 marks its tenth anniversary, and to celebrate, label owner woody has compiled ten new, exclusive tracks from the roster, including felipe venegas, livio & roby, valenzuela & casarano, leix & ronro, larsson, alejandro vivanco, danny fiddo, autotune and of course woody himself. over the past ten years, the fumakilla team has been weaving 1s and 0s into intricate patterns, establishing itself as a source for sexy and pumpin club tracks with a sophisticated, artful blend.

vintage voltage from the nfls first man in munich. infectious >sam spence sounds< from this kuckuck stalwart. the latest release on the germanic minor off-shoot. born in san francisco in 1927 samuel lloyd spence is a peculiar piece in the komplicated krautrock puzzle. as an american ex-pat working in a community of german rock musicians in the early 70s, spence shared his alien status with the likes of david johnson and malcolm mooney (can), carole muriel (brainticket) maria archer (embryo) bill barone (wallenstein) and the band sweet smoke.

this two swedish musicians present their groundbraking new 2 cd album of fabulous electronic music! supported by sven väth,loco dice,martinez,josh wink,laurent garnier,matthias tanzmann,wighnomy bos,gabriel ananda and many more